2013 Sketch to Screen Panelists
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The David C. Copley Center for the Study of Costume Design

"Through bold research and a robust program of conferences, exhibitions and film festivals, the Copley Center serves the UCLA community, international motion picture historians, cultural anthropologists and working designers and filmmakers."
Deborah Nadoolman Landis, Founding Director

Endowed in 2005 by a gift from newspaper publisher and philanthropist David C. Cop­ley, with Oscar-nominated costume designer and author Professor Deborah Nadoolman Landis as Founding Director, the David C. Copley Center for the Study of Costume Design at UCLA is the first institution of its kind worldwide. Through bold research and a robust program of publishing, exhibitions and teaching, the scholarly activities of the Copley Center serves TFT students, UCLA, the international community of historians, filmmakers and professional costume designers. The Center provides a home for the study of costume design history, genre research, costume illustration as an art form, and the influence of costume design on fashion and popular culture.

A Costume History Archive

Many film scholars have analyzed early motion pictures from the late 19th century through the Golden Age of Hollywood, but the Copley Center spearheads costume design scholarship in Hollywood history up to the present day. This includes gathering the oral histories of creative collaborators involved in current motion picture production.

Genre Research

Throughout the 20th century, definitive motion picture genres emerged including the Western, Film Noir, Science Fiction and the Musical. Each has its own cinematic language and normative practices and each has developed a stylish culture of costume design worthy of study.

Costume Illustration as an Art Form

The sketches and illustrations that are a product of the costume design process have never been catalogued or researched as a field, but simply held as the work of one designer. These long-neglected drawings and their many unheralded illustrators are a rich source for academic and artistic study.

Costume Design’s Influence on Fashion and Culture

Motion pictures serve as a point of departure for fashionable trends and icons. Scholars may track costume influences geographically and chronologically from a film’s worldwide release.

Annual Academy Costume Designer Panel

On the eve of the 2014 Academy Awards, Deborah Landis, Chair and Founding Director of the The David C. Copley Center for the Study of Costume Design, will welcome a stellar group of international costume designers to the fourth annual Sketch to Screen: Costume Design Oscar® Celebration at UCLA’s Bridges Theater for an in-depth discussion of the pivotal role played by clothing in screen storytelling.


Natasha Rubin Assistant to the Director, Deborah Nadoolman Landis
The David C. Copley Center for the Study of Costume Design
Office: 325 E. Melnitz Hall
Email: nrubin (at) tft.ucla.edu
Phone: (310) 825-2184

For information about the undergraduate sequence in costume design, please visit http://www.tft.ucla.edu/theaterba or email theaterundergrad@tft.ucla.edu.

For information about the Design for Theater and Entertainment Media M.F.A., please visit http://www.tft.ucla.edu/designmfa or email theatergrad@tft.ucla.edu.

DESIGN MAVENS Top, from left: Academy Award-nominated costume designer, historian and faculty member Deborah Landis, MFA ’75, Chair and Founding Director of the The David C. Copley Center for the Study of Costume Design poses with Academy Award-nominated costume designer, Joanna Johnston; Academy Award-winning costume designer, Mark Bridges; Academy Award-nominated costume designer, Jacqueline West; Academy Award-nominated costume designer, Paco Delgado; Academy Award-winning costume designer, Jacqueline Durran and costume designer Kasia Walicka-Maimone at the 2013 Sketch to Screen Copley Costume Design Oscars Celebration in the James Bridges Theater.