History of TFT
The UCLA School of Theater, Film and Television (TFT) is a world renown creative force whose students, faculty, and alumni not only showcase their art globally at premier festivals and research conferences, but win awards that span every medium, platform and discipline. The world looks to TFT for talent, thought leadership, and cutting-edge research.
The School began at UCLA as the Theater Arts Department in 1947. William Melnitz, a German theater director émigré who had worked with the legendary Max Reinhardt, became its chair. In 1961, the department was renamed the UCLA College of Fine Arts. Melnitz became the founding dean, with drama critic and film producer Kenneth Macgowan named as chair of its Department of Theater Arts. For its first two years the department offered undergraduate study across three divisions: Theater, Motion Pictures, and Radio. Developed in cooperation with the Academy of Motion Picture Arts and Sciences, the four major radio broadcasting networks in Hollywood, and the Associated Committee on Television, this arrangement marked the first time a leading university had brought together these distinct subjects under a single administration. It remains groundbreaking.
Melnitz spearheaded the building plan that enabled the College of Fine Arts to grow quickly in stature and move each of its two departments into separate facilities. In 1963, Theater took up residence in Macgowan Hall, and in 1967 the Department of Motion Pictures, Television and Radio moved into Melnitz Hall. Gradually, the departments became more specialized across disciplinary lines in educational, research, and production activities.
In 1987 the College of Fine Arts was dissolved, and in 1990 the School of Theater, Film and Television was created with eminent film, television and Broadway director Gilbert Cates as its founding dean. Dean Cates set out to create a professional conservatory environment within UCLA, which by then was a dominant research university. With his guidance, new faculty were hired, curriculum was expanded, and direct outreach to the entertainment industry was markedly increased.
Distinguished professor and film historian Robert Rosen became TFT’s second dean in 1999, after spearheading the growth of the UCLA Film & Television Archive into one of the largest collections of moving image material, second in the U.S. only to the Library of Congress. Dean Rosen built upon the foundation established and successes achieved by Dean Cates, expanding TFT’s international influence with robust alliances in China, in particular.
In 2009 TFT welcomed the arrival of Dean Teri Schwartz, a former award-winning feature film producer, founding dean of the Loyola Marymount University School of Film and Television and UCLA alumna. Dean Schwartz had a new vision for TFT and she launched a long-range plan for the 21st Century that not only builds upon the rich legacy, traditions and successes of her predecessors, but differentiates TFT by re-imagining entertainment and performing arts education as an interdisciplinary enterprise grounded in humanistic storytelling, technology and innovation, global diversity and social responsibility.
Under Dean Schwartz’ leadership, TFT is creating innovative programs and curriculum, recruiting outstanding faculty, staff and students, re-imagining its facilities and technology and connecting TFT even more robustly to its alumni, the entertainment and performing arts industries, the campus, city, and world.
This comes at a time of incredible change and transformation to the entertainment and performing arts industries and the disciplines that TFT serves. Embracing this change and our place as a leader in a globalized and digitalized world is an appropriately evolutionary step for TFT and, in fact, as its exciting history and story makes clear, such an interdisciplinary approach is inherently in TFT’s DNA.