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Canyon Cinema at 50
July 13, 2018 @ 7:30 PM - 10:30 PM$10
UCLA Film & Television Archive and the Hugh M. Hefner Classic American Film Program present “Canyon Cinema at 50”
Program One: Studies in Natural Magic
Program One features recent films by Saul Levine, Charlotte Pryce and Christopher Harris; rarely screened films by Standish Lawder and Jean Sousa; sublimely filmed and acutely perceived portraits of cities, seas, skies and landscapes by Peter Hutton, Julie Murray, Gary Beydler, Robert Fulton and Emily Richardson; Betzy Bromberg’s audacious and energetic feminist punk city symphony; Degrees of Limitation, one of Scott Stark’s earliest films, a humorous three-minute structuralist gem; and Portland, a mid-’90s travelogue and playful Rashomon-like inquiry into the nature of truth by Greta Snider.
16mm, b/w and color, 79 min.
Program Two: Associations
Program Two is titled after John Smith’s 1975 film, a joyfully dense rebus-like image-word construction. Smith’s film is preceded by Sara Kathryn Arledge’s rarely seen 1958 work What is A Man, a film years ahead of its time, and Mark Toscano’s 2012 piece Releasing Human Energies, which utilizes film laboratory test footage of a “China Girl” set to a found text read by Morgan Fisher. The program also features Abigail Child’s classic 1989 film Mercy, from her celebrated “Is This What You Were Born For?” series; canonical works by Phil Solomon, Barbara Hammer, Robert Breer, and Robert Nelson; and two recent restorations: the humorously poignant Confessions by Curt McDowell and Akbar, Richard Myers’ extraordinary 1970 portrait of young black filmmaker and student, Akbar Ahmed.
16mm, b/w and color, 90 min.
In Person: Antonella Bonfanti, director of Canyon Cinema; Betzy Bromberg, filmmaker; David Dinnell, curator.
FREE admission for all UCLA students with valid I.D.