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John T. Caldwell

Distinguished Research Professor

John Caldwell

A media scholar and film/video artist, John Caldwell researches in the Department of Film, Television and Digital Media. He has authored and edited several books, including Production Studies: Cultural Studies of Media Industries (co-edited with Vicki Mayer and Miranda Banks, Routledge, 2009); Production Culture: Industrial Reflexivity and Critical Practice in Film and Television (Duke Univ. Press, 2008); New Media: Digitextual Theories and Practices (co-edited with Anna Everett, Routledge, 2003); Electronic Media and Technoculture (edited, Rutgers Univ. Press, 2000); and Televisuality: Style, Crisis and Authority in American Television (Rutgers Univ. Press, 1995). Caldwell recently completed fieldwork and writing on his next book on methods for production studies research, entitled Specworld: Studying Folds, Faultlines, and Fractures in Embedded Production Systems (forthcoming).

Caldwell’s critical and theoretical writings have been featured in the journals Television and New Media, Cinema Journal, Genre, Quarterly Review of Film and Video, Emergences: Journal of Media and Composite Cultures, Medie Kultur, Film Quarterly and Aura: Journal of Film Studies, and have been published in numerous books, including The Media/Cultural Studies Reader (2009), The Media Industries Book (2009), Film and Television After the DVD (2008), The Oxford Handbook of Film and Media Studies (2008), Television After TV (2004), Media/Space: Place, Scale, and Culture in a Media Age (2004), Issues in Contemporary Television (2004), The New Media Book (2002), Film Theory: An Anthology (2000), Television: The Critical View (1999), Living Color: Race, Feminism, and Media (1998) and American Television: History and Theory (1994).

His film and video productions have received fellowships and awards from the National Endowment for the Arts (1979, 1985), Regional Fellowships (AFI/NEA, 1985, 1988) and state arts councils (1984, 1985, 1989). His films have been screened in museums and festivals in Amsterdam, Berlin, Chicago, Hawaii, Mexico City, New York City, Palm Springs, Park City, Paris, Taipei, Toulouse, San Francisco and Santa Cruz. They have been broadcast on SBS-TV Network/Australia, WTTW-Chicago, WGBH-Boston, WNED-Buffalo and WEIU-TV-Illinois.

Caldwell is the producer-director of the award-winning documentaries Freak Street to Goa: Immigrants on the Rajpath (1989), a film about the migratory pattern of “hippies” in India and Nepal, and Rancho California (Por Favor) (2002), a troubling look at migrant camps that house indigenous Mixteco workers within the arroyos of Southern California’s most affluent suburbs.

An M.F.A. graduate of California Institute of the Arts, Caldwell received his Ph.D. from Northwestern University.

Awards and Distinctions

Best Experimental Documentary, 2020DocLA Documentary Film Festival, LAND HACKS: Masculine Media Anxiety Disorder, Los Angeles, Nov. 11-15, 2020

2018 SCMS Outstanding Pedagogy Award. Career award at the annual Society for Cinema and Media Studies Conference, Toronto, Canada, March 2018

Keynote Address. Aalto University, Helsinki, Finland. Screenwriting and Production Studies Conference. School of Arts, Design, and Architecture, Dec. 2-5, 2017

Inaugural Victor Blau Endowed Lecture, Washington University, Film and Media Studies Department, St. Louis, Nov. 10, 2016

Bauhaus IKKM Fellow, Bauhaus Universitat-Weimar, Germany, Internationales Kolleg fur Kulturtechnikforschung und Medienphilosophie, April-August 2012

Annenberg Scholar, University of Pennsylvania, Annenberg School of Communication, Scholar-in-Residence, Philadelphia, PA, January-April 2012

Keynote Speaker, Yale University, Yale Conference on Television, Department of Film Studies and American Studies, New Haven, CT, Feb. 2012

Keynote Speaker, Stockholm University, European Production Studies Conference, “Lights, Tystnad, Azione!: Practices, Sites, and Careers.” Sweden, April 7-8, 2011

Prix-Italia Lecture, The Best of Television, Radio, and the Internet, 63rd Prix Italia Awards Conference, Turin/Torino, Italy, Sept. 21, 2011

Distinguished Teaching Award, with Special Commendation in the Area of Graduate Teaching, UCLA, Los Angeles, April 2010

Annual James O. Naremore Lecture, Indiana University, Department of Communication and Culture, Indiana University, Bloomington, IN, Oct. 8, 2009

Plenary/VIP Lecture, ELOMEDIA: The Pan European Doctoral School of Audiovisual Media (Roskilde and Copenhagen Universities [Denmark], Helsinki University of Art and Design, and Tampere, Turku & Lapland Universities [Finland], April 22-25, 2009

Plenary Lecture, Nottingham University, "Ephemeral Media Conference," Nottingham, UK, July 22, 2009

Keynote Address, London Metropolitan University, “Television Goes Digital” Conference, London, UK, Sept. 14, 2007

Plenary Address, Northwestern University, Kaplan Institute for the Humanities, Evanston, IL, May 11, 2007

Plenary Address, Glasgow University, Scotland, International Screen Studies Conference, Scotland, (invited), June 30-July 2, 2006

Keynote Lecture, "What is the DVD" International Conference, Humanities Research Center, University of Warwick, Coventry, United Kingdom, April 23, 2005

Keynote Lecture, Shanghai University, China, "Wither Film Theory? Boundaries, Frontiers, and Predicament" Conference, Shanghai, China, June 3, 2004

Keynote Address and Screening, 2003 International Communication Association Conference, San Diego, CA, May 30, 2003

UCIRA Grant, University of California Institute for Research in the Arts, University of California (system-wide), 2002

Keynote Address, University of Taipei, “Media and Cultural Development in the Digital Era” Conference, Taipei, Republic of China, March 2001

Keynote Lecture, University of Siegen, Germany, “Live is Life” International Media Conference, Siegen, Germany, May 1999


Production Culture: Industrial Reflexivity and Critical Practice in Film/Television
(Durham and London: Duke University Press, 2008)

Televisuality: Style, Crisis, and Authority in American Television
(New Brunswick: Rutgers University Press, August 1995)

Production Studies: Cultural Studies of Film/Television Work Worlds
(New York and London: Routledge, May 2009). Co-edited with Vicki Mayer, and Miranda Banks

New Media: Theories and Practices of Digitextuality
(New York and London: The AFI Series/Routledge, 2003). Co-edited with Anna Everett

Theories of the New Media: A Historical Perspective
(London: Athlone/Continuum Press, 2000) [European Edition of Electronic Media] [Edited Book]

Electronic Media and Technoculture
(New Brunswick: Rutgers University Press, (2000) [Edited Book]

Research Articles and Book Chapters (selected)

2011: "Worker Blowback," Television as Digital Media
2011: "Industrial Promotional Surround," ephemeral media
2010: "Breaking Ranks/ Backdoor Workforces," Popular Communication
2009: "Hive-Sourcing Is the New Out-Sourcing," Cinema Journal
2009: "Screen Studies and Industrial 'Theorizing,'" Screen
2005: "Welcome to the Viral Future of Cinema (Television)," Cinema Journal
2004: "Critical Industrial Practice," Television & New Media
2004: "Convergence Television," Television After TV
2004: "Industrial Geography Lessons," Television After TV
2003: "Second-Shift Media Aesthetics," New Media

Articles and Chapters on Film/Video Productions (produced/directed by Caldwell)

2009: “Indigenism, (In)visibility,” Filming Difference
2003: "Representation and Complicity," Aztlan


LAND HACKS: Masculine Media Anxiety Disorder (or 55 Film Locations Near Bakersfield). (UCLA Newsroom article)
Rancho California (por favor)
Freak Street to Goa: Immigrants of the Rajpath