In this issue:
Welcome to the Winter 2013 Issue of Mediascape, "History and Technology." This issue's theme considers the reciprocal relationship between Technology and History, on one hand examining the various histories of technology, and on the other hand contemplating the impact of new technologies upon the research, writing, and presentation of historical scholarship itself. Read More...
Features:
The Crowd Mind: The Archival Legacy of the Payne Fund Studies’ Movies and Conduct (1933)
Christina Petersen
Headline Hollywood: A discourse analysis of the Variety archive
Bryan Sebok
Reviews:
Total Archive: Picturing History from the Stereographic Library to the Digital Database
Brooke Belisle
All The World’s A Video Wall: Technology, Humanity, and the Things in Between. Reviewing Chris Salter’s Entangled
Judith Kohlenberger and Samuel Zwaan
Murder and Montage: Oliver Stone’s Hyperreal Period
Randy Laist
Review of Useful Cinema
Andrew Myers
Something Borrowed from the Past: Wedding Photography and Super 8mm
Paul Gansky
Columns:
Transmission: Considering New Media and the Online Histories of HIV/AIDS
Christopher Garland
Alex Haley’s Roots and Hyperreal Historiography
Randy Laist
Meta:
What Happens When You Sleep? Multiple Layers of Voyeurism in the Paranormal Activity Trilogy
Alexandra Schroeder
Déjà-Viewing? Videographic Experiments in Intertextual Film Studies
Catherine Grant
The Three Fates of the Maltese Falcon: Hammet's Novel at Warner Bros.
Clifford James Galiher
Photography and Fictionality
Jens Schröter
Transmedia Synergies — Remediating Films and Video Games
Matthias Stork
In Retrospect: 2012 Los Angeles Animation Festival
Kelly Lake
“A Film is Alive During its Making” – An Interview with Filmmaker Thom Andersen
Matthias Stork
On Cinemetrics, Video Essays, and Digital Scholarship – An Interview with Dr. Yuri Tsivian and Dr. Daria Khitrova
Matthias Stork
