Once per decade since 1952, Sight & Sound—the monthly publication of the British Film Institute—has conducted a worldwide poll of critics and filmmakers to determine the 10 greatest films of all time. To discuss the film studies canon in relation to the 2012 poll, which was unveiled on August 1, the Mediascape Blog convened a roundtable of four film studies graduate students. Their conversation can be read or listened to below, or downloaded in MP3 format.
Moderator: J.M. Olejarz
Mediascape Blog: Jimmy, why don’t you introduce yourself first, then we’ll go around the circle, so to speak.
Jimmy Gilmore: OK. I’m Jimmy, I’m just about to start the second year of the M.A. [in Cinema and Media Studies] at UCLA.
Cliff Galiher: Am I next? I’m Cliff, I’m a first-year Ph.D. at USC, just finished up my Master’s [in Cinema and Media Studies] at UCLA.
Eliot Bessette: My name’s Eliot Bessette, I’m a first-year Ph.D. student in Film and Media Studies at [UC] Berkeley, and before that I was in Cliff’s year in the M.A. program at UCLA.
Maya Smukler: Hi, I’m Maya, I got my Master’s and Ph.D. at UCLA in the critical studies department, and I’m two years [All But Dissertation]. And that’s it.
MB: I’m Josh [Olejarz], for those—well, I think you all know me, except for Maya. I’m a second-year Master’s [student] at UCLA, and I’ll be moderating tonight. Ready to get started, everybody? I was thinking to begin you could each, one at a time, say what your personal view of the canon is—what you think of it generally, general impressions, is it useful, is it not useful, and maybe we can get something going from that. Jimmy, do you want to start us off? Continue reading “The Mediascape Roundtable: The Film Studies Canon and ‘Sight & Sound’” »