Theater- Acting (MFA)
- Design for Theater and Entertainment Media (MFA)
- Directing (MFA)
- Playwriting (MFA)
- Theater and Performance Studies (PhD)
- Theater (MA)
- Theater (Minor)
- Undergraduate Theater Program (BA)
- Film, Television and
Digital Media - Animation (MFA)
- Cinema & Media Studies (MA)
- Cinema & Media Studies (PhD)
- Cinematography (MFA)
- Film (Minor)
- Moving Image Archive Studies (MA)
- Producers Program (MFA)
- Production / Directing (MFA)
- Non-Degree Professional Programs
- Screenwriting (MFA)
- Undergraduate Film, Television and Digital Media (BA)
The Birth of Whiteness: Race and the Emergence of U.S. Cinema
Sorry to break your momentum,
but we need you to upgrade.
To view this media, please download the Adobe Flash player in order to experience our new standard of high-quality media.
About the Work
"Early cinema has been a clear partner in the hegemonic struggle over the meaning of race. It was steadfastly alligned with a Eurocentric world view at the expense of those who didn't count as 'white.'"
-- Daniel Bernardi, editor
Contributors incliude: Nick Browne, Thomas Cripps, Sumiko Higashi, Gina Marchetti, Chon Noriega, and Louise Spenser.
- Year
- 1996
- Credits
-
Edited by Daniel Bernardi PhD '95
- Relation
- Alumni
- Distributor
- Rutgers University Press
- Keywords
- daniel bernardi
- Revised
- Wed Jul 15, 2009
- Share This
- Permalink
SCHOOL Calendar | Profiles | News | Videos
PROGRAMS Programs in Theater | Programs in Film, Television and Digital Media
INFORMATION About TFT | Admissions | Contact | Courses | Facilities | Faculty | Giving | Intranet
CREATIVE DIRECTORY Select Alumni Works | Select Faculty Works | Select Student Works