Shelleen Greene’s research interests include Italian cinema, race and representation, Black European studies, postcolonial studies, digital feminist studies, and globalization and visual culture. Her book, Equivocal Subjects: Between Italy and Africa - Constructions of Racial and National Identity in the Italian Cinema (Continuum Press, 2012) examines the representation of mixed-race subjects of Italian and African descent in the Italian cinema, arguing that the changing cultural representations of mixed-race identity reveal shifts in the country's conceptual paradigms of race and nation. Her recent work has been published in ADA: A Journal of Gender, New Media, and Technology and Future Texts: Subversive Performance and Feminist Bodies (Parlor Press, 2015). Her work has also been published in From Terrone to Extracomunitario: New Manifestations of Racism in Contemporary Italian Cinema: Shifting Demographics and Changing Images in a Multi-Cultural Globalized Society (Troubador Press, 2010) and Postcolonial Italy: Challenging National Homogeneity (Palgrave Macmillan, 2012).
She has presented at the University of Bologna, Italy; Queen Mary, University of London; the Calandra Italian American Institute, CUNY; the Society for Cinema and Media Studies annual conference; the Neal-Marshall Black Culture Center at Indiana University; and Brown University.
Prior to UCLA TFT, Greene was an associate professor of writing & critical thinking at the University of Wisconsin, Milwaukee’s Peck School of the Arts.
She earned her bachelor’s degree in English Literature from Bard College and her Ph.D. in Program in Visual Studies from University of California, Irvine.
Equivocal Subjects: Between Italy and Africa – Constructions of Racial and National Identity in the Italian Cinema. London and New York: Continuum Press, 2012.
“The New ‘Material Girls’: Madonna, ‘Millennial’ Pop Divas, and the Politics of Race and Gender.” Future Texts: Subversive Performance and Feminist Bodies. Edited by Vicki Callahan and Virginia Kuhn. Anderson, SC: Parlor Press, 2015. 13-26.
"Buffalo Soldiers on Film: Il soldato afroamericano nel cinema neorealista e postbellico italiano" (“Buffalo Soldiers on Film: The African American Soldier in Italian Neorealist and Postwar Cinema.”). L’Africa in Italia: per una controstoria postcoloniale del cinema italiano (Africa in Italy: Towards a Postcolonial Counterhistory of the Italian Cinema). Edited by Leonardo De Franceschi. Rome: Aracne, 2013. 93-108.
"La diaspora africana in Italia: immigrazione e identità nazionale in Waalo Fendo di Mohammed Soudani ed in Western Union: Small Boats di Isaac Julien." (“The African Diaspora in Italy: Immigration and National Belonging in Mohammed Soudani’s Where the Earth Freezes and Isaac Julien’s Western Union: small boats”) in Un Nuovo Cinema Politico Italiano? Volume 1 (A New Italian Political Cinema? Volume 1). Edited by William Hope, Luciana d’Arcangeli, and Silvana Serra. Leicester, UK: Troubador, 2013. 187-198.
“Bina 48: Race, Gender, and Queer Artificial Life.” ADA: A Journal of Gender, New Media and Technology. (2016) Issue 9. DOI: 10.7264/N3G44NKP.
“Talking About Whiteness: Using Digital Pedagogy to Interrogate Racial Privilege.” Critical Pedagogies in Neoliberal Times. Cinema Journal Teaching Dossier Vol. 3(2). Eds. Courtney Bailey and Julie Wilson. June 2015.
Habeas Viscus: Racializing Assemblages, Biopolitics, and Black Feminist Theories of the Human. Alexander Weheliye. Duke University Press: Durham and London, 2014. 209 pp. Somatechnics. 6.1 (2016): 119-122.
“The Italian ‘Race’ and Its Discontents.” Bianco e Nero: Storia dell’identità razziale degli italiani. Gaia Giuliani and Cristina Lombardi-Diop. Milan: Mondadori Education S.p.A., 2013, 206 pp. g/s/i (gender/sexuality/Italy). August 2015.
Affirmative Reaction: New Formations of White Masculinity. Hamilton Carroll. Durham: Duke University Press, 2010, 221 pp. The Journal of Popular Culture. 45. 4 (August 2012): 917-920.
"Isaac Julien’s Expeditions." Isaac Julien: Expeditions. Christina Dittrich ed. Milwaukee, WI: Milwaukee Art Museum, 2012. 30-59.
"Il soldato americano." (“The American Soldier in Italian Neorealist and Postwar Film.”) Italia A/R: Migrazioni nel/del cinema italiano (Italy A/R: Migrations to/from the Italian Cinema). Daniela Aronica and Vito Zagarrio, eds. Special Issue, Quaderni del CSCI, No. 8 (Annual Journal of Italian Cinema, The Center for the Study of Italian Cinema, No. 8) (2012): 177-179.
“Il Mulatto.” Italia A/R: Migrazioni nel/del cinema italiano (Italy A/R: Migrations to/from the Italian Cinema). Daniela Aronica and Vito Zagarrio, eds. Special Issue, Quaderni del CSCI, No. 8 (Annual Journal of Italian Cinema, The Center for the Study of Italian Cinema, No. 8) (2012): 208-209.